Gallery Work
Songlines 2011
installation: recycled wood, computerised LED lighting and sound track
24 screens, each 45 x 130 x 15 cm
Available
Songlines 2011
installation: recycled wood, computerised LED lighting and sound track
24 screens, each 45 x 130 x 15 cm
Available
Songlines and Suspended Sanctuary 2011
installation: recycled wood, computerised LED lighting and sound track
Songlines: 24 screens, each 45 x 130 x 15 cm
Suspended Sanctuary: 190 cm diameter
Songlines and Suspended Sanctuary 2011
installation: recycled wood, computerised LED lighting and sound track
Songlines: 24 screens, each 45 x 120 x 15 cm. Available
Suspended Sanctuary: 190 cm diameter. SOLD
There is a Place 2013
recycled acupuncture needles on MDF, acrylic boxes
1-6 panels, each 90 x 90 x 15 cm
Wandering Albatross (Panel 2) 2011
recycled acupuncture needles on MDF, acrylic boxes
1-4 panels, each 100 x 150 x 15 cm
SOLD
Wandering Albatross (Panel 4) 2011
recycled acupuncture needles on MDF, acrylic boxes
1-4 panels, each 100 x 150 x 15 cm
SOLD
Wandering Albatross (Panel 1) 2011
recycled acupuncture needles on MDF, acrylic boxes
1-4 panels, each 100 x 150 x 15 cm
SOLD
Power of the Group (Detail) 2011
recycled acupuncture needles on MDF, resin
3 panels, each 82 x 45 x 12 cm
SOLD
As Correlation Would Have It 2013
recycled acupuncture needles on MDF, acrylic boxes
90 x 90 cm
SOLD
This Connected Flow – River Torrens (Diptych 1) 2013
recycled acupuncture needles on MDF, resin
2 panels, each 150 x 40 cm)
Available
Sky – Pointing Ritual and Staging The Way (Middle work) 2011
cast bronze, granite bases
125 20 x 20 cm
Available
Philopatric Colony 2011
marble dust and white cement, granite base
individual forms 60 – 70 x 20 x 20 cm
Available
Seismic Encounter 2013
mild steel, coloured acrylic discs, granite base (optional)
60 cm diameter
SOLD
Coincidental Encounter 2013
mild steel, coloured acrylic disc, granite base (optional)
60 cm diameter
SOLD
Where the Silence Hums, 2013
cast marble dust and resin, mild steel, marble base
120 cm x 40 cm
Available
Where the Silence Hums I, 2013
cast marble dust and resin, recycled cutting wheel, marble base
120 cm x 40 cm
Available
Eucalyptus Ablaze 2007
aluminum tubes,
laser cut and painted,
mild steel base
computerised lighting 57 seconds sequence
210 x 160 x 30 cm
Available
Read about Marijana's Gallery Work
Marijana’s art practice is a reflection on journeys; real and imagined, personal and historical, cultural and spiritual, constructed and natural.
Much of Marijana’s gallery work uses the methods of layering and weaving. The layering of ceramics, stone, glass or steel is reminiscent of sedimentation or a “way of forming” often found in nature.
Woven structures using metal, canvas, photographs, painting and text, make reference to the tapestries and fabrics of our societies.
Both layering and weaving methods are imbued with their own intrinsic qualities and symbolism which speak of an Australian culture which is continually evolving and forming.
Marijana’s works such as Eucalyptus Ablaze uses computerised lighting technique with references to ‘burning off’ as a way of controlling the environment. The ‘cracked eucalyptus bark’ steel forms are lit within and the light is programmed to move as a heat wave.
In her recent exhibitions Marijana’s use of subtle and skillfully arranged recycled acupuncture needles creates minimalist pictorial panels with metaphors to the human condition and complexities of globalisation.
“Conceptually complex, technically perfect, rehearsing themes and ideas about migrancy, belonging and ‘unbelonging’, navigation and theenvironment, nesting, home-making, kinesis and resting the artworks…eloquently speak about generative effects of dislocation and relocation on culture and identity. That Tadic has the capacity to realize and express such subtly interconnected themes in visual terms is testament to her originality and artistic power.” (Dr. Christine Nicholls, Wandering Albatross, exhibition catalogue, 2011)
Contact Marijana for artwork availability and price.